Input Buffer for NC500 and Purifi Audio

Input Buffer for Hypex NC500 and Purifi Audio

 

The Hypex NC500 and the Purifi Audio 1ET400A are two single-channel, extremely high-quality, analog input power amplifiers modules which operate in class D. They are capable of over 400 W of power and provide an audio quality level that sets the standard for power amplifiers of any operating class. Its compact sizes and high reliability make them fit a broad range of applications, while their audio qualities make them the indisputable choice even in applications where all the premium is on sound quality.

However, despite of all these advantages, they are practically devoid of any sonic signature so they require an external input buffer to tuning in a “warm house sound”, customizable according to tastes and requirements.

 

Input Buffer for NC500 and Purifi Audio - 1ET400A

Figure 1. Purifi Audio 1ET400A module.

 

▶ Input buffers

Buffers are electronic circuits with unity gain (which means that voltage level is the same at both the input and the output) that provide electrical impedance transformation from one circuit to another, with the aim of preventing the signal source from being affected by whatever currents the load may be produced with.

The main element of the buffers is the operational amplifier, whose main characteristics are the very high input impedance and the very low output impedance. These features, together with the rest of the passive components of the circuit, prevents a large amount of energy from being extracted from the source, eliminating high disturbances caused by the overloads. In audio circuits, this translates into greater signal integrity, preventing high frequency details from being lost and resulting in a signal with more “color and warmth”. In short, a buffer makes the Hi-Fi system more pleasant to listen to.

 

▶ Design process

At atm-audio, we started to design a very low noise input buffer for the Hypex NC500 and the Purifi Audio 1ET400A, taking advantage of its pin compatibility. The goal was to get the most out of these modules to offer our customers Class-D power amplifiers with incredible sound quality.

After several prototypes and proofs of concept where we tested the operation of the buffer and its correct assembly in the chassis, we finally develop a product where the noise figure was reduce to a minimun. In addition, the footprints of the very low noise voltage regulators and the operational amplifier allowed integrating components of any manufacturer (Burson Audio, SparkosLabs, Sonic Imagery Labs…) into the design, giving the user the possibility to choose the best configuration for their audio system.

 

Input Buffer for NC500 and Purifi Audio First prototype

Figure 2. First prototype of the NC500 input buffer.

 

Input Buffer for NC500 and Purifi Audio Second prototype

Figure 3. Second prototype of the NC500 input buffer.

 

The input buffer was designed in close collaboration with Richard Doporto, of Sonic Imagery Labs, who provided us very valuable technical information to adapt the 994 Enh Ticha operational amplifier to our design so that it fits perfectly with the Hypex NC500, because the module needs a high current to attack the internal drivers and a few operational amplifiers in the market can provide that current.

 

Input Buffer for NC500 and Purifi Audio Final version

Figure 4. Final version of the NC500 input buffer.

 

Input Buffer for NC500 and Purifi Audio Front

Figure 5. Front view of the NC500 input buffer front view.

 

Input Buffer for NC500 and Purifi Audio Side

Figure 6. Side view of the NC500 input buffer.

 

Input Buffer for NC500 and Purifi Audio Assembled

Figure 7. The NC500 input buffer plugged into the power module.

 

Technical Specifications

All the components used in this input buffer are of very high quality and from the best manufacturers on the market. The resistors have a tolerance of 0.1 % to avoid the minimum deviation in the gain. The polyester capacitors are Wima and Vishay with a tolerance of 5 %. The electrolytic capacitors are Panasonic ECA series with very low equivalent series resistance. Voltage regulators are very low noise. All passive components are surface mount.

The main features of the Input Buffer for NC500 and Purifi Audio 1ET400A are:

  • High Common Mode Rejection Ratio (CMRR)
  • Better Power Supply Rejection Ratio (PSRR)
  • Provides current drive regulated to Hypex amp +/- 80 mA easily
  • Phase, Frequency razor flat to 100KHz
  • 7 dB gain
  • Extremely low THD + N at large signal levels
  • Stays linear at large signal levels
  • Remains stable at all IN-Z´s

 

Measures

Different measurements were made on the circuit using different operational amplifiers to check the behaviour of each of them individually and see how one option or another can affect the sound in the power module.

The operational amplifiers used were:

  • LM4562
  • LME49720
  • MUSES01
  • Burson Audio V5
  • Sparkos Labs SS3602
  • Sonic Imagery Labs SIL994

An Audio Precision distortion analyzer model APX515 was used to perform the measurements.

These were the results:

Input Buffer for NC500 Spectral density mounting a LM4562

Figure 8. Spectral density of the NC500 mounting a LM4562.

 

Input Buffer for NC500 Spectral density mounting a LME49710

Figure 9. Spectral density of the NC500 mounting a LME49820.

 

Input Buffer for NC500 Spectral density mounting a MUSES01

Figure 10. Spectral density of the NC500 mounting a MUSES01.

 

Input Buffer for NC500 Spectral density mounting a Burson Audio V5

Figure 11. Spectral density of the NC500 mounting a Burson Audio V5.

 

Input Buffer for NC500 Spectral density mounting a SS3602

Figure 12. Spectral density of the NC500 mounting a Sparkos Labs SS3602.

 

Input Buffer for NC500 Spectral density mounting a SIL994

Figure 13. Spectral density of the NC500 mounting a Sonic Imagery SIL994.

 

▶ Where to buy it?

Due to its technical characteristics and sound quality, the input buffer is an ideal device to use in all kinds of projects based on Class-D technology.

Below we show you a list of projects where we have used the buffer:

 

▶ Where to buy it?

All atm-audio Class-D power amplifiers incorporate this input buffer of our own design based on operational amplifiers (there is also the possibility that the product includes a different buffer based on the Korg Nutube 6P1 valve). You can take a look at them in the Class-D amplifiers section.

Moreover, if you are interested in acquiring this input buffer individually to integrate it into your audio system with the objective of obtaining the best quality of your setup, we offer you a single kit with the device and the possibility to choose between:

  • SIL994 Enh Ticha op-amp
  • SIL990 Enh Ticha op-amp
  • Sparkoslabs SS3602 op-amp
  • Only PCB without operational amplifiers or voltage regulators

The kit consists of the complete buffer PCB with all components, connectors, voltage regulators and the chosen operational amplifier. The PCB only option does not include the voltage regulators or the operational amplifier, only the surface mount board assembled and the connectors are included.

You can buy it by clicking on the following link:

Input Buffer for NC500 and Purifi Audio 1ET400A

 

 

10 Comments
  • Bath And Body Works St Louis
    Posted at 19:34h, 04 November Reply

    Thanks for sharing such a good blog!
    Best regards,
    Lunding Schneider

    • atm-audio
      Posted at 20:20h, 04 November Reply

      Thank you Lunding.
      Best regards

  • Yard House Minneapolis
    Posted at 16:10h, 05 November Reply

    Excellent read, Positive website, where did u come up with the information on this
    posting? I have read a few of the posts on your site now, and I love
    your style.
    King regards,
    Demir Henneberg

    • atm-audio
      Posted at 17:31h, 05 November Reply

      Thanks a lot! Most of the information and the form of writing is mine. I’m glad you liked it.
      Best regards.

  • we did 46 hat
    Posted at 22:18h, 10 November Reply

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    us, keep it up.

    • atm-audio
      Posted at 17:06h, 11 November Reply

      Thank you

  • chris
    Posted at 12:12h, 14 September Reply

    this is so good! may i suggest as a marketing idea sending some of your amps with maybe 2 or 3 different input buffers to some reviewers, espeically the burson! not only will it get great reviews, it can dispell the myths of class d plus can have a link from the reviewer to your page. FINALLY someone has posted info on the differences between the different op amps! as i have bbeen searching for hours to get some solid info like these graphs! 🙂 thankyou very much

  • A HiFi hobbyist from Croatia
    Posted at 11:59h, 02 October Reply

    Any chance of performing measurement with Texas Instruments OPA1656?
    https://www.ti.com/product/OPA1656
    It would probably be interesting to compare the measured results of TI OPA1656 vs Sparkos Labs SS3602 (and other op-amps you measured)…

    • atm-audio
      Posted at 21:16h, 02 October Reply

      I don’t have that op amp at the moment. I also don’t have the APX distortion analyzer. I would have to use REW. When I have that model and a little time, I will make that measurement.

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